Kai Buizon captures the magic of romantic serendipity in new track “Milagro”

Kai Buizon captures the magic of romantic serendipity in new track “Milagro”

Sunday, April 13, 2025

Rising Filipino singer-songwriter Kai Buizon captures the wonder of unexpected connection in her latest single, “Milagro,” out via Sony Music Entertainment. So surprising yet profound, it feels like a miracle.

Co-written by Kai Buizon and her mother, Felichi Pangilinan-Buizon, the bossa nova-inspired track explores a love so unforeseen it feels almost supernatural. It delicately weaves a story of romantic serendipity, capturing the feeling of finding a love that feels like a rare blessing—one that brings a sense of safety and acceptance never felt before.

Buizon explains that the song speaks to someone who has never experienced love quite like this before. “When they finally find a love that makes them truly accepted in ways they never imagined, it does feel like a miracle,” she shares.

The lyrics draw inspiration from the Japanese concept of Koi No Yokan, which describes “the feeling upon first meeting someone that you will inevitably fall in love with them” or a more patient, intuitive version of love at first sight.

“It’s like having a hunch upon hearing the first few seconds of a song that you’re gonna love it,” Buizon adds. “That’s why in Milagro, even though the lyrics narrate the beginning of the connection as an initial attraction, it makes sure to say that the actual part of falling in love happened slowly. As the lyrics go, unti-unting umibig din.”

Buoyed by syncopated rhythms, lighthearted jazz arrangements, and sweet vocals, “Milagro” channels the influence of bossa greats João Gilberto and Astrud Gilberto while also embracing the modern indie aesthetics of Ginger Root and The Marias. Additionally, the promising young act cites Juan Tizol & Duke Ellington’s work “Caravan” as a sonic reference, pointing out how its subtle mix of warmth and nostalgia brought a different side of her, both as a vocalist and as a storyteller.

Interestingly, the song’s production took an unexpected yet organic turn when Raki Natividad, who Buizon invited to do the guitar solo, composed something entirely different from what was on the demo track. “My producer Rau Layug and I ended up liking the new solo so much that we decided to embrace the bossa-nova vibe throughout the rest of the track,” the artist explains.

During production, Rau Layug recorded himself scraping the surface of his wallet with a brush to evoke a scratchy percussive sound, adding a unique dimension to the overall appeal of the track.

Kai Buizon shares that Rau was such a joy to work with, complementing his Midas touch on the material. “I’ve always admired Rau for being talented in the mixing and mastering department,” adds Buizon.

Kai Buizon’s “Milagro” is now available on all digital music platforms worldwide via Sony Music Entertainment. Watch out for the lyric visualizer on her official YouTube channel.

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Ace Banzuelo explores the hopeful, more meaningful side of love in “Kilala”

Ace Banzuelo explores the hopeful, more meaningful side of love in “Kilala”

Friday, April 11, 2025

 

The track sets the tone for his new era in music

Ace Banzuelo examines the beauty of fleeting yet profound connections in his new single “Kilala,” released under Sony Music Entertainment.

A dreamy, melancholic pop track, “Kilala” revels in romantic longing: those heart-fluttering moments that often escape definition. In Ace’s universe, love doesn’t always require shout-from-the-rooftops kind of admission or grand declarations. Sometimes, it lingers in the quiet, unscripted moments that leave imprint long after they pass.

“You may not realize it, but it could be love,” he adds. “This song is about not wanting to lose someone you know you have a great connection with. A lot of people can relate to this.”

Set against a backdrop of minimal guitars, gentle synths, and electronic flourishes, “Kilala” delivers a vocal performance that is bright and hopeful, yet punctuated with emotionally incisive tone. The song proves that Ace thrives in the contemporary pop music realm, exercising his potential as a future visionary.

The Muli act speaks fondly about the creative process behind his new song, emphasizing his hands-on approach to songwriting and production. “I mixed real and digital percussive elements on this track and recorded with a new guitar. It’s my new baby, I love it so much. Kilala is one of the new songs I wrote and recorded in my new place/studio as well. I’ve been enjoying the view and making songs in that room.”

Having previous explored themes of heartbreak and missed connections, Ace is ready to embrace a different approach to songwriting, one that delves with the intricacies of love and emotional awakening. “Kilala” serves as a prelude to a new chapter in his release cycle, where he aims to channel these sentiments through his signature brand of alt-pop storytelling. It’s also his first release of 2025, which marks the beginning of his “love song” era.

“I’ve been coming out with a lot of heartbreak songs since my Red era,” admits Ace. “This time, I want to release songs that explore the softer, more optimistic side of love.”

Ace Banzuelo’s “Kilala” is out now on all digital music platforms worldwide via Sony Music Entertainment. The track’s visualizer will be out today at 7 pm.

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SOS Memorializes Maturity In Highly Anticipated Sophomore Album, ‘It Was A Moment’

SOS Memorializes Maturity In Highly Anticipated Sophomore Album, ‘It Was A Moment’

Wednesday, April 2, 2025

The second full-length album sees the band’s contemplative departure from the coming-of-age ‘Whatever That Was’ era

The highly anticipated sophomore album of SOS, It Was A Moment, is finally here.

Following the release of the carrier single, “Yumi & The Apocalypse” earlier this month, SOS’s latest 11-track project is characterized by the band as a complete departure from their beloved debut album, Whatever That Was, released in 2017. Whereas its predecessor is more reactive and immediate, It Was A Moment is lighter and less fussy in many ways, removing the proverbial chip on the shoulder. Technically, it’s as exacting as one can expect from the group—more sonically expansive and experimental, primarily thanks to the beautifully added sheen of synths and keys to classic SOS anthemic guitars—but thematically, It Was A Moment sees members Seña, Andrew, Anjo, King, and Ram become more deliberate spectators of others as much as themselves (“employing the ‘art of noticing,’” Seña remarks) while keeping the interior feel and unfading anxieties of Whatever That Was.

Of the shift in tone, Andrew explains, “Whatever That Was is a product of constant road-testing and weekly bar shows that shaped the performances of the tracks upon recording. It Was A Moment is more like a lab experiment.” King describes it as a reflection of “transitional stages” of their lives—entering into their 30s, with bigger worlds and more responsibilities. This also marks the band’s first full-length release since the addition of Ram in 2023.

The album includes four previously released singles, “Seryoso” and “Please Lang” (the only two Tagalog-language songs in the band’s discography so far), “Roses” and long-time fan-favorite “Amore” (which was finally released in October last year), as well as the carrier single, “Yumi & The Apocalypse.”

SOS continues to contend with weariness in “I’m Kidding” and “Money” while fighting off cynicism in “Yumi & The Apocalypse” and “It’s History.” Meanwhile, relationship woes become more bearable with faith in “Love Kept Us Warm,” but “French Exit” makes the case for knowing when to call it quits. While these binaries are broader, album closer and standout track “It Was A Moment” was described as “a love letter to SOS fans.” While it contains lyrical and sonic callbacks to past SOS eras, the title track dovetails the enduring appeal of the older SOS catalog with more adventurous production—and earns its longer runtime. It’s the kind of grownness that never punctuates, just evolves.

Following the album release, SOS is set to hit the road (and continue writing, according to Ram). “We’re planning on touring the album around Metro Manila first and we’ll probably have a few shows outside if time permits! We just want to share our journey as SOS and hopefully have the album resonate to people who need to hear our new songs,” shares King.

It Was A Moment was recorded at the band’s Bavarian Studios in La Union, mixed and mastered by Cholo Hermosa of 15D Studio Mix (“Please Lang” was mastered by Chris Gheringer), with vocal engineering by Eric Trono. Vocals recorded at Careless Complex, drums for “Amore” and “Love Kept Us Warm” recorded at Kwarto Studios. Trumpet on “Yumi & The Apocalypse” was performed by Kiddo Cosio.

It Was A Moment tracklist:

1.Amore

2.Roses

3.I'm Kidding

4.It's History

5.French Exit

6.Money

7.Please Lang

8.Seryoso

9.Yumi & The Apocalypse (carrier single)

10.Love Kept Us Warm

11.It Was A Moment

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Waiian drops manifesto of authenticity and self-expression with third album, BACKSHOTS

Waiian drops manifesto of authenticity and self-expression with third album, BACKSHOTS

Tuesday, March 18, 2025

Filipino rapper Waiian delivers a raw, unfiltered commentary on music and personal life with his highly anticipated third album, BACKSHOTS.

With the 9-track release, the acclaimed emcee takes a bold stand against the absurdity of the music establishment and trends, refusing to conform to social expectations, while reinforcing the importance of authenticity and staying true to one’s craft.

“BACKSHOTS serves as my testament to consistently speak my truth,” says the Solo Mission act. “The album is my rebelling against being known solely for motivational bars. Although I still believe in my roots, I also want to showcase my lighter side: the playful, humorous person who enjoys my life journey even as I pursue my rap career.”

Produced with Love and Rage

The album, produced by Kashira Music Prod and Pistolgrip, was shaped through a mix of love and raw emotion, challenging Waiian to rap over sonic experiments and eclectic beats. Throughout the project, the Makati City-based hip-hop artist credits his inspiration to artists who are not afraid to push the boundaries of songwriting, performance, and production.

“I drew inspiration from artists like Teezo Touchdown, Kanye West, Brockhampton, Kendrick Lamar, Denzel Curry and my past work, and more,” shares Waiian. “The 9-track album organically took shape, mirroring the cycle of life—its beginning and its inevitable end.”

A Journey of Growth and Reflection

BACKSHOTS offers a mix of seriousness and silliness, satire and sincerity, chaos and freedom. Lovingly layered with care and attention, the album takes listeners through unrefined thoughts and emotions, challenging and subverting traditional ideas of how music should be presented. With each track, Waiian blends confessional storytelling with unwavering commitment to his narrative, capturing both his growth as an artist and his reflections on career and life.

Key highlights from the album include “MAN IN THE MERROR,” the first track that he finished for this particular project, and “SI LODS NA ANG BAHALA,” which serves as a deep introspection of his life in a 3 minute and 32 second wav file. While he dedicates love, time, and focus to every single song in the record, making sure that each track possess its own distinct thought and direction, the aforementioned track reveals a splash of sentimentality that fits neatly alongside his earlier and current catalog.

He confides, “There is this one song that made me the most emotional when I came home from finishing it after several days of straight studio sessions. It’s SI LODS NA BAHALA, and I felt great being able to channel my life whereabouts in the confines of a song. It could be one of my favorite songs to perform from now.”

Music Video Releases

Waiian plans to accompany the release of the album with visuals featuring renowned collaborators and friends. The music video for “LODS NA BAHALA,” in particular, will have its own treatment, complete with archival imagery and locations from his formative years, including excerpts from the short films he made as a student and places he used to hang out at. “It’s about remembering my roots as a creative. These elements are blended with footage from my current life and experiences reflecting my artistic evolution.”

Additionally, the music video for “MAN IN THE MERROR,” which was directed Miguel Garcia from Madman Creative Solutions, will showcase his fun and goofy side, featuring places and people close to Waiian’s heart. He’s also in the pre-production stages of the music video of “SOFTIE,” which will highlight diverse couples representing various underrepresented identities in mainstream media, as well as a collaboration with Geloy Concepcion.

Live Performances and Upcoming Shows

Waiian will debut songs off BACKSHOTS live at the Wanderland Music and Arts Festival, where he’s meticulously planning and rehearsing every song for that special day to ensure a solid performance. Fans can expect a dynamic and energetic live set that captures the raw energy and emotional depth of his new album. He’s also set to co-headline the upcoming ALL OF THE NOISE music summit, along with Taiwanese band The Chairs, Singaporean rapper San The Wordsmith, and Thai indie pop collective KIKI.

Check out the track list:

(1) AUG27

(2) MALAKING BIRD

(3) MAN IN THE MERROR

(4) LOSE MY NUMBER

(5) SOFTIE

(6) MOTIVATIONAL QUOTES

(7) ASAN NA SI…

(8) SI LODS NA BAHALA

(9) BOUNCE NA KO MAN

Waiian’s new album, BACKSHOTS is out now on all digital music platforms worldwide via Sony Music Entertainment. The music video of “MAN IN THE MERROR” will premiere at 8 PM on YouTube this Friday, March 14, 2025.

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NOBITA Breaks Boundaries with Genre-Defying Single "PNYT" Featuring Flow G

NOBITA Breaks Boundaries with Genre-Defying Single "PNYT" Featuring Flow G

Monday, February 10, 2025

Filipino alternative pop sensation NOBITA is making waves once again with their latest single, "PNYT", a bold and emotionally charged anthem that pushes the boundaries of their signature ‘hugot’ songwriting. Known for chart-topping hits like "Ikaw Lang" and "Unang Sayaw", the five-piece band is set to captivate an even wider audience with this genre-blending masterpiece.

A Fresh Sound: NOBITA x Flow G

A daring departure from their usual sentimental ballads, "PNYT" sees NOBITA venturing into rock, R&B, and hip-hop, delivering an electrifying collaboration with award-winning rapper Flow G. The track opens with gripping guitar riffs and an infectious beat, setting the stage for a raw and vulnerable exploration of love’s unpredictable and often devastating nature.

“Extreme emotions require extreme expressions,” the band shared in a statement. “We’re happy to channel the song’s frustrating agony while maintaining the right balance of sensitivity and control.”

Working with Flow G introduced a fresh dynamic to their music, pushing them to explore new sonic landscapes. “We added our own flavor but also ventured into a space we don’t normally explore. It’s exhilarating to step outside of our comfort zone and create something fresh.”

Serendipitous Collaboration with Flow G

The partnership between NOBITA and Flow G came about unexpectedly after multiple encounters at weddings and music festivals. Though not initially close, a mutual admiration for each other’s craft led to an Instagram message that set the collaboration in motion. The result? A high-energy, genre-bending track that perfectly balances NOBITA’s emotional depth with Flow G’s dynamic lyricism.

A Testament to Growth and Experimentation

"PNYT" is more than just a song—it’s a statement. With its aggressive instrumentation, intense vocal delivery, and fearless storytelling, the track marks a significant evolution in NOBITA’s artistry. From multiple revisions to refining every beat and lyric, the band poured their hearts into crafting an anthem that resonates deeply while hitting hard.

“This track really challenged us,” NOBITA admitted. “It took us to places we never expected to go musically, but we embraced the challenge and came out stronger.”

With its fatalistic energy, raw emotions, and undeniable urgency, "PNYT" is set to be one of NOBITA’s most talked-about releases yet.

Listen Now!

NOBITA’s "PNYT" (Feat. Flow G) is now available on all digital streaming platforms worldwide via Sony Music Entertainment. Don’t miss the official music video premiere today at 7 PM!

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Paham explores the complexities of young, modern love in self-titled debut album

Paham explores the complexities of young, modern love in self-titled debut album

Monday, February 3, 2025

The 12-track release serves as a love letter for a new generation of listeners

Five-piece “harana pop” outfit Paham has dropped their self-titled debut album today via Sony Music Entertainmentand Off The Record. The 12-track record invites listeners into a whimsical journey of love, resilience, and hope, woven together with themes that speak directly to the heart.

From the excitement of finding someone special to the trials that test its endurance, Paham captures the raw emotions and uncertainties of modern relationships. Each track is a heartfelt chapter in a larger narrative, navigating the complications and complexities of life and romance in the 21st century. 

“The inspiration behind Paham comes from our personal experiences,” the band shares in a collective statement. “We wanted to offer listeners a window into our journey, to make them see the world through our eyes, and to share our story as Paham.”

From tender ballads to anthemic pop-rock numbers, Paham is a personal letter set to music: straightforward yet brimming with sincere emotions. Shiny on the surface but layered with depth, the album effectively captures the zeitgeist of today, complemented by some of the strongest, most infectious melodies this side of contemporary pop.

“Our songwriting process evolves alongside cultural shifts,” the band explains. “We stay attuned to the conversations people are having, so when we release music, our audience can truly connect with it. It’s a challenge for us to maintain consistency, as we want every track to offer something unique in sound and emotion.”

At its core, the album serves as a refuge for anyone who feels lost and vulnerable. “We want our songs to speak to listeners, no matter what they’re feeling—whether it’s sadness, insecurity, or moments of doubt. Our music is for everyone, wherever they are in their own emotional journey.”

One of the standout tracks on Paham is the reimagined version of the band’s viral hit “Hiraya,” now retitled “Hiraya (Haharanahin Kita).” The new rendition features a subtle orchestral arrangement that adds an elegant touch to the song, elevating it to a more romantic, wedding-worthy ballad. 

“We wanted to give a more refined, graceful take on the song that felt like a celebration of love,” Paham explains. “It’s our way of making the song even more romantic and timeless.”

With over two million streams on Spotify and more than 11,000 videos shared on TikTok and Instagram, “Hiraya” has become an unstoppable anthem of love and longing for a lot of music fans.

Paham, the debut album from the band of the same name, is out now on all digital music platforms worldwide via Sony Music Entertainment and Off The Record.

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Battle of the Champions: 12th Philippine International Pyromusical Competition lights up SM MOA

Battle of the Champions: 12th Philippine International Pyromusical Competition lights up SM MOA

Thursday, January 30, 2025

The night sky over SM Mall of Asia (MOA) is set to come alive with breathtaking colors and music as the 12th Philippine International Pyromusical Competition (PIPC) takes center stage at the iconic Seaside Boulevard starting February 15, 2025.

As the longest-running pyrotechnic competition in the Philippines, the PIPC has earned its reputation as a premier event that mesmerizes audiences from around the globe. This year, eight of the world’s top pyrotechnic teams, including reigning champions, will dazzle spectators with their explosive artistry in a bid to claim the coveted title of pyro supremacy. 

For five consecutive Saturdays, from February 15 to March 15, guests will be treated to a spectacular showcase of light and sound, where every burst of fireworks is synchronized with music, creating a symphony of color and emotion.

Against a backdrop of awe and excitement, Germany's Steffes Ollig Feuerwerk is declared the winner of the 11th Philippine International Pyromusical Competition at SM Mall of Asia by the BAY last year.

Here’s the full competition schedule:

Date	Country	Team
February 15	Philippines	Platinum Fireworks Inc. (Opening Exhibition)
	Austria	SteyrFire
February 22	France	Luxfactory Fireworks
	China	Polaris Fireworks Co. Ltd.
March 1	USA	Rozzi Fireworks
	Germany	Steffes-Ollig Feuerwerke
March 8	South Korea	Faseecom
	United Kingdom	Pyrotex Fireworx
March 15	Canada	Royal Pyrotechnie
	Philippines	Platinum Fireworks Inc. (Closing Exhibition)

Guests can choose from a variety of seating options to best enjoy the dazzling pyrotechnic displays:

February 15, 22, March 1, and March 8:

Patron: P3,000

VIP: P800

Gold: P500

Silver: P200

March 15 (Grand Finale):

Patron: P3,000

VIP: P1,000

Gold: P600

Silver: P250

Tickets are available at the official 12th PIPC Booths inside SM MOA. Here are the locations: 

Level 1, North Entertainment Mall (In front of IMAX) 

Level 1, South Entertainment Mall (In front of Toby's Sports)

Level 1, South Main Mall (In front of Charles & Keith)

Level 1, South Main Mall (In front of Panda Express)

Level 1, South Entertainment Mall (In front of Haidilao)

Level 3, South Main Mall (In front of Macao Imperial)

Tickets are also available at all SM Ticket outlets and via the SM Tickets website.

Don’t miss the chance to experience a stunning display of lights, music, and emotions. Mark your calendars and join us at SM MOA for a world-class event that will light up your evenings and create memories to last a lifetime.

For more information on exciting SM Supermalls events, visit www.smsupermalls.com or follow @SMSupermalls on social media.

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Tate McRae releases “Sports Car,” off her upcoming new album, So Close To What

Tate McRae releases “Sports Car,” off her upcoming new album, So Close To What

Monday, January 27, 2025

Her highlighly anticipated album drops on February 21, 2025

Multi-platinum pop sensation Tate McRae is set to release her highly anticipated third album So Close To What on February 21st via RCA Records. Through unfiltered lyricism and raw emotions, So Close To What represents the journey of growing up when the road ahead feels infinite and the destination increasingly elusive. It’s an introspective exploration of self-discovery, love, and searching for balance in moments of uncertainty. Pre-save HERE.

Today, Tate releases her irresistible new song “Sports car” alongside the official music video. It’s written and produced with hitmakers Ryan Tedder (Taylor Swift, Beyoncé), Grant Boutin (Meghan Trainor, One Republic) and Julia Michaels (Selena Gomez, Dua Lipa).

The provocative video is directed by Bardia Zeinali (Sabrina Carpenter, Troye Sivan) and styled by Brett Alan Nelson (Doja Cat, Karol G). It follows Tate as a viewer into her own dynamic world intertwined with high fashion moments and different characters. In a society that is constantly watching and judging, Tate becomes the observer and takes back control. Through her perspective, we are immersed in a powerful interplay of style and identity, where fashion becomes more than just clothing— it’s the canvas for her evolving identity. Each look tells a story, reflecting a different persona she embodies. Check out Vogue’s exclusive first look of the video HERE.

“Sports car” follows “2 hands” and “It’s ok I’m ok” which hit #1 on Billboard’s Hot Dance/Pop Songs chart and earned the star her highest-debuting song of her career on the Billboard Hot 100.

In March, Tate will embark on her world ‘Miss Possessive Tour’ spanning South America, Europe, UK, and North America. Produced by Live Nation, the tour kicks off on March 18th in Mexico City at Pepsi Centre, with shows in São Paulo, London, Amsterdam, Prague, New York, Nashville, and many more before wrapping up in Los Angeles at the Kia Forum on September 26th. Benee will be joining as support on all Europe and UK dates while Zara Larsson will join Tate across all US and Canada dates.

‘Miss Possessive Tour’ 2025 Dates:

Tuesday, March 18 - Mexico City, Mexico - Pepsi Centre

Saturday, March 22 - Buenos Aires, Argentina - Lollapalooza Argentina*

Sunday, March 23 - Santiago, Chile - Lollapalooza Chile*

Tuesday, March 25 - Santiago, Chile - Teatro Coliseo

Thursday, March 27 - Bogota, Colombia - Estereo Picnic*

Saturday, March 29 - São Paulo, Brazil - Lollapalooza Brazil*

Wednesday, May 7 - Lisbon, Portugal - MEO Arena

Friday, May 9 - Madrid, Spain - Palacio Vistalegre

Monday, May 13 - Stuttgart, Germany - Schleyer-Halle

Wednesday, May 14 - Antwerp, Belgium - Sportpaleis

Friday, May 16 - Dublin, Ireland - 3Arena

Saturday, May 17 - Dublin, Ireland - 3Arena

Monday, May 19 - Birmingham, UK - Utilita Arena

Tuesday, May 20 - London, UK - The O2

Friday, May 23 - Glasgow, UK - OVO Hydro

Saturday, May 24 - Manchester, UK - Co-op Live

Tuesday, May 27 - Paris, France - Accor Arena

Wednesday, May 28 - Amsterdam, Netherlands - Ziggo Dome

Friday, May 30 - Copenhagen, Denmark - Royal Arena

Sunday, June 1 - Stockholm, Sweden - Avicii Arena

Tuesday, June 3 - Hamburg, Germany - Barclays Arena

Wednesday, June 4 - Berlin, Germany - Uber Arena

Friday, June 6 - Lodz, Poland - Atlas Arena

Sunday, June 8 - Vienna, Austria - Wiener Stadthalle – Halle D

Tuesday, June 10 - Prague, Czech Republic - O2 Arena

Wednesday, June 11 - Munich, Germany - Olympiahalle

Friday, June 13 - Bologna, Italy - Unipol Arena

Monday, June 16 - Koln, Germany - Lanxess Arena

Wednesday, June 18 - Zurich, Switzerland – Hallenstadion

Monday, August 4 - Vancouver, BC - Rogers Arena

Tuesday, August 5 - Vancouver, BC - Rogers Arena

Thursday, August 7 - Edmonton, AB - Rogers Place

Saturday, August 9 - Winnipeg, MB - Canada Life Centre

Wednesday, August 13 - Saint Paul, MN - Xcel Energy Center

Friday, August 15 - Chicago, IL - United Center

Saturday, August 16 - Detroit, MI - Little Caesars Arena

Tuesday, August 19 - Toronto, ON - Scotiabank Arena

Wednesday, August 20 - Toronto, ON - Scotiabank Arena

Friday, August 22 - Ottawa, ON - Canadian Tire Centre

Sunday, August 24 - Montreal, QC - Bell Centre

Tuesday, August 26 - Boston, MA - TD Garden

Wednesday, August 27 - Boston, MA - TD Garden

Friday, August 29 - Cleveland, OH - Rocket Mortgage FieldHouse

Sunday, August 31 - Baltimore, MD - CFG Bank Arena

Wednesday, September 3 - New York, NY - Madison Square Garden

Thursday, September 4 - New York, NY - Madison Square Garden

Saturday, September 6 - Philadelphia, PA - Wells Fargo Center

Tuesday, September 9 - Atlanta, GA - State Farm Arena

Thursday, September 11 - Nashville, TN - Bridgestone Arena

Saturday, September 13 - Orlando, FL - Kia Center

Sunday, September 14 - Orlando, FL - Kia Center

Tuesday, September 16 - Austin, TX - Moody Center

Thursday, September 18 - Dallas, TX - American Airlines Center

Saturday, September 20 - Denver, CO - Ball Arena

Wednesday, September 24 - San Francisco, CA - Chase Center

Friday, September 26 - Los Angeles, CA - Kia Forum

Saturday, September 27 - Los Angeles, CA - Kia Forum

*Festival

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Zedd Returns to Manila for &FRIENDS Festival

Zedd Returns to Manila for &FRIENDS Festival

Friday, January 24, 2025

Prepare for an unforgettable celebration of pop culture and music as &FRIENDS Festival makes its debut in Manila, bringing together the world’s top creators and music artists on May 30 to June 1, 2025 in Parañaque.

Kicking off its star-studded lineup of guests is Grammy Award-winning artist Zedd. Known for chart-topping hits like Clarity, Stay, and The Middle, Zedd’s highly-anticipated return to the archipelago will be an unforgettable moment for fans in the Philippines.

The festival kicks off with &FRIENDS Music Night - Day 1 in the evening of May 30 – featuring a night of live EDM performances headlined by Zedd. &FRIENDS Music Night - Day 2 is set to follow the evening after on May 31 – boasting a variety of pop, rap and EDM acts alike, with its own headliner to be revealed soon.

Throughout the daytime of May 31 and June 1, the spotlight shifts to fan favorite creators, packed with events such as meet-and-greets, exclusive stage activities, interactive panels, and pop-up merchandise booths. The complete festival lineup will be announced in the coming weeks, promising even more surprises leading up to the festival.

“&FRIENDS as a brand is a celebration of modern pop culture as a whole – gaming, music, lifestyle… and the creators and communities surrounding them,” says Justin Banusing, CEO of Clout Kitchen, the organizers of &FRIENDS Festival. “The Philippines is one of the epicentres of fandom in the world, and it just made sense to kick-off the brand here in the country where we started.”

Tickets go on sale in early February 2025. Visit andfriends.live for updates and announcements.

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Crossover J-Pop superstar KENSHI YONEZU debuts “Plazma”, theme song to the new film Mobile Suit Gundam Gquuuuuux - Beginning

Crossover J-Pop superstar KENSHI YONEZU debuts “Plazma”, theme song to the new film Mobile Suit Gundam Gquuuuuux - Beginning

Wednesday, January 22, 2025

Global J-pop superstar KENSHI YONEZU releases “Plazma,” a new single and the official theme song to the latest installment in the iconic Gundam franchise, Mobile Suit Gundam GQuuuuuuX -Beginning-. The track features electrifying vocals from Yonezu alongside high-tempo synths and electronic rhythms to match the vibrant universe of the mecha and their epic space battles. Today’s track is the latest in a string of prolific theme songs by Yonezu following his contributions to Hayao Miyazaki’s The Boy and the Heron, the Final Fantasy XVI video game, and his global hit theme for the Chainsaw Man series.

Mobile Suit Gundam GQuuuuuuuX -Beginning- premiered in a total of 426 theaters, including IMAX® theaters in Japan on January 17th, as a re-edited version title comprised of some of the episodes. The TV anime is scheduled to premiere later on in 2025 worldwide. Mobile Suit Gundam GQuuuuuuuX -Beginning- is already a huge hit, grossing over 598 million yen (3,829,801 USD) at the box office and drawing over 350,000 viewers in just 3 days, hitting the top of the X trends chart for the entire day, with many enthusiastic comments being posted, waiting for the release of Yonezu’s new song “Plazma”. Today, along with the song release, a new promotional reel is out on official Gundam YouTube channel.

“Plazma” is a song written, composed, and arranged by Yonezu. The cover art is drawn by Yonezu himself, as an illustration of Amate Yuzuriha (Machu) and Nyaan, two of the main characters of Mobile Suit Gundam GQuuuuuuuX -Beginning-. Yonezu announced the release of “Plazma” on the opening night of his 2025 Japanese tour, performing the new song live and giving fans an exclusive preview of the unreleased track. Rounding out a massive 2024 that included the release of his sixth studio album LOST CORNER, Yonezu kicks off 2025 with an extensive run of Japanese tour dates before gearing up for his first-ever run of international dates across Asia, Europe and the US, with stops at New York City’s world-famous Radio City Music Hall and Los Angeles’ YouTube Theater.

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TheKoolPals Bar: Metro Manila’s newest entertainment hub merges stand-up comedy and live podcast recording

TheKoolPals Bar: Metro Manila’s newest entertainment hub merges stand-up comedy and live podcast recording

Monday, January 13, 2025

The KoolPals continues to spread the gospel of stand-up comedy with the launch of their newest entertainment and live podcast hub. The powerhouse comedy ensemble has officially unveiled The KoolPals Bar, a go-to destination for comedy fans who are looking for an exciting blend of live performances, interactive podcasts, and world-class dining.

For the folks behind The KoolPals, the concept of opening their own place has always been a dream. “Ever since we started our group, we have always dreamed of having our own bar,” admits James Caraan, one of the founding members of the group. “The podcast has played a huge role in promoting stand-up comedy, and it’s amazing to see how it has helped us achieve this dream. Now, we have a venue where we can expand our reach and share our humor with even more people.”

A Collective Vision

The KoolPals Bar isn’t just another comedy venue; it’s the realization of a collective vision by The KoolPals’ dedicated hosts and their loyal fans. Key to its creation was JJ Tan, the Managing Director of Century Park Hotel Manila, who helped provide the space to build this comedy sanctuary. Together with the five hosts of the acclaimed podcast, who have brought the comedy scene to new heights, the bar is set to become a place where both fans and comedians can truly connect.

“The fans who believed in us have been a major driving force in making this happen,” Caraan adds. “The KoolPals Bar is a place to showcase our comedy, where everyone can enjoy a laugh and experience something unique in Manila’s entertainment scene.”

The KoolPals Bar sets itself apart from contemporaries as it is the only venue in the Philippines that offers both a live podcast studio and a comedy bar all in one place. Guests will not only get to watch live recordings of The KoolPals, the popular comedy podcast, but they will have the chance to enjoy the best of local Pinoy stand-up comedy, featuring the genre’s finest performers.

“This is a comedian’s playground,” says GB Labrador, one of the pioneering members. “It’s a space where good food, drinks, and comedy come together. It’s where people can relax, laugh, and make memories.”

Partnership with Century Park Hotel Manila

Collaborating with Century Park Hotel Manila ensures that The KoolPals Bar provides more than just laughter and entertainment. The food and service meet international standards, delivering an unforgettable dining experience to complement the show.

Although The KoolPals is known primarily for stand-up comedy, The KoolPals Bar is setting the stage for a diverse range of comedic experiences. The venue has already launched a new format with the Noontime Show, airing every Sunday at 4 PM, filled with fun games and unfiltered humor. This show is also broadcast live via Facebook and YouTube, allowing fans worldwide to tune in.

Big Plans for 2025

Looking ahead to 2025, The KoolPals is gearing up for an exciting year. A nationwide tour will bring their live shows to cities across the Philippines, including Pampanga, Baguio, Cebu, and more. The tour will culminate in the recording of their very first comedy special, which they hope to stream on global platforms in the near future. As for the podcast, they are working on securing top TV comedians as guests in response to fan requests.

Apart from the tour, The KoolPals has teamed up with Arcade Film Factory, one of the leading production teams in the Philippines, to help create their first-ever comedy special. Directed by the award-winning Marius Talampas, the special will showcase the best of Filipino humor that could rival even their foreign counterparts.

“We’re thrilled to partner with Arcade Film Factory for this project,” shares Labrador. “They believe in our comedy, and with their expertise, we’re confident that our special will be not only funny but also world-class. This is just the beginning of what we hope will be a groundbreaking year.”

Reflecting on 2024, The KoolPals celebrate their growth from humble beginnings. Caraan reveals, “We started recording in a small room with equipment we bought from Raon. Now, we have our own studio and bar, which is a dream come true. Winning Spotify’s Best Comedy Podcast in the Philippines after over 750 episodes is another huge milestone for us. The community we’ve built has been incredible, and we’re excited to see where 2025 will take us.”

For The KoolPals team, the journey is just the beginning. “Whatever show you come to watch at The KoolPals Bar, whether it’s a live podcast recording or a stand-up show, it will always be funnier than the last one,” Labrador promise.

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MONA releases debut EP Love, MONA: a modern take on love letters

MONA releases debut EP Love, MONA: a modern take on love letters

Monday, December 16, 2024

Filipino recording star MONA has officially released her highly anticipated debut EP, Love, MONA.

Available now via Sony Music Entertainment, the 5-track release serves as a collection of love letters in the form of songs. Inspired by the tradition of exchanging handwritten letters in the ‘90s, MONA channels this intimate and personal expression of emotion into her distinct brand of storytelling.

“I was born in the ’90s and I experienced those handwritten letters, and I kind of miss it,” shares Mona Gonzales, the artist behind the moniker MONA. “Now, people rarely do that as we live in a digital world and everything is online.”

At its core, Love, MONA tackles love in varied forms, be it platonic, romantic, or self-love. It also doubles as a coming-of-age record, reminding listeners and fans of love’s transformative power, and how it shapes our identities and influences the stories we tell.

“I want the listeners to listen to each song from the album and find the ones that resonate with them,” MONA explains. “Each song represents a different emotional experience—whether it’s the excitement of new love, nostalgia, curiosity, caution, or the challenges of understanding oneself and others. I hope to take listeners on a journey through heartfelt moments, vulnerability, and self-discovery, all wrapped in catchy melodies and relatable lyrics.”

Musically, Love, MONA showcases the artist’s versatility, positioning her as a chameleonic figure capable of seamlessly navigating multiple genres and influences.

“Tayo Na Ba,” showcases MONA’s playful and dynamic vocal delivery, blending retro-futuristic production with early 2000s R&B, all while maintaining a distinctly modern OPM (Original Pilipino Music) sensibility.

“Lapit Sa Akin” and “Boy From The ’90s,” both produced by Peter Lamiel, reveal MONA’s impressive range. The former recalls the sounds of Japanese pop legend Utada Hikaru and early Robyn, while Lapit Sa Akin draws inspiration from a colorful era, offering infectious melodies paired with a summery, feel-good chorus.

One of the album’s standout moments, “Luntiang Mundo,” takes a reflective look at embracing our unique life journeys and finding joy in the simplest moments. The track revisits MONA’s guitar-driven pop sound but adds a dreamy, eclectic flair, thanks to production by South Korean producer J2. The result is a smooth, sensual vibe with a nostalgic touch.

Meanwhile, “Sandstorm,” a city-pop-inflected track produced by Jaxzmusic, blends groovy beats, funky instrumentation, and smooth rhythms, exuding confidence and a fresh, magnetic energy.

With Love, MONA now available, MONA looks ahead to her musical future with an eagerness to continue exploring new genres and styles. “I don’t know what the future holds for me, especially in this industry,” she reflects. “But I just do the things that I love most and enjoy it. My goal for now is to be recognized as a singer and songwriter. I’ll make myself ready for whatever this path may bring.”

As a debut album, Love, MONA marks an exciting new chapter for the rising P-Pop star, whose unique voice and genre-blending sound have already begun to carve out a place in the music scene. With her dedication to creating music that speaks to the heart, MONA is undoubtedly one to watch in the years to come.

MONA’s new album, ‘Love, MONA’ is out now on all digital music platforms worldwide via Sony Music Entertainment.

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Jolianne makes fun of her single status on the incredibly witty new track “Plain Girl”

Jolianne makes fun of her single status on the incredibly witty new track “Plain Girl”

Cebuana singer-songwriter Jolianne drops her new single, “Plain Girl,” a playful yet honest anthem that depicts the complexities of being a single young woman in a world full of love stories.

Released via Careless Music and Sony Music Entertainment, the track blends jazz-infused pop with a subtle touch of Disney-like whimsy, making it impossible to ignore.

With “Plain Girl,” Jolianne pokes fun of her own relationship status, waltzing into a narrative that speaks to the tiresome feeling of being lonely, inadequate, and overlooked. But instead of wallowing in self-pity or self-deprecation, the rising pop artist delivers a confessional with inescapable wit and lighthearted charm.

Jolianne explains, “I didn’t want it to come across as overly self-deprecating. Instead, I wanted it to sound like I was poking fun at my situation. This is why I paired the lyrics with dreamlike melodies and production.”

The song strikes a perfect balance between vulnerability and humor, with the soothing melodies contrasting sharply against the candid lyrics. Throughout the track, Jolianne’s natural charisma, paired with her impressive songwriting chops, shines in the dreamy lilt of lush instrumentation. She delivers a refreshing take on the “no-boyfriend-since-birth” (NBSB) narrative essentially like no other.

“Plain Girl” is filled with memorable lines that explore the frustrations and missed connection of navigating single life. One of the standout lyrics, “I want to be someone’s second to none, but it’s more likely I turn to a nun,” encapsulates the song’s raw honesty, a sentiment Jolianne feels deeply. “I think this line captures the balance best,” she shares. “It’s honest and a little bit cheeky, but that’s exactly how I feel.”

“Plain Girl” is produced by Jonah Bru and RJ Pineda, with vocal arrangement by Jolianne. According to the talented recording star, she wanted to embrace a whimsical and playful direction for the song, while highlighting her core strengths as a songwriter. The result is a lighthearted take on female solitude, but without being overly dramatic.

“Plain Girl” is the second single from Jolianne’s highly anticipated debut EP, set for release early next year. The upcoming EP will explore themes of yearning, love, and heartbreak, with the same mix of emotional candor and charismatic wit that makes “Plain Girl” so captivating.Jolianne’s “Plain Girl” is out now on all digital music platforms worldwide via Careless Music and Sony. Music Entertainment. Watch the live performance video at her official YouTube channel.

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