Live-Action ‘Moana’ Sets Disney+ Philippines Premiere on October 21

Live-Action ‘Moana’ Sets Disney+ Philippines Premiere on October 21

Friday, October 16, 2026

Moana and Maui are heading back to the ocean as Disney’s live-action Moana arrives exclusively on Disney+ Philippines on October 21, 2026, bringing the beloved island adventure to family movie nights with new visuals, familiar songs, and a new musical number.

Ready to journey beyond the reef again? Disney’s live-action Moana is bringing the story of the courageous wayfinder to streaming, giving Filipino audiences a chance to experience the adventure with a new cast and a live-action take on the world first introduced in the animated film.

Catherine Lagaʻaia stars as Moana, while Dwayne Johnson returns as Maui, the larger-than-life demigod who joins her on a mission to restore prosperity to her people.

The film begins streaming exclusively on Disney+ Philippines on October 21, 2026.

What Is the Live-Action ‘Moana’ About?

Set on the island of Motunui, the story follows Moana as she answers the Ocean’s call and ventures beyond the reef for the first time.

She teams up with Maui on a journey that takes them across the ocean as they work to restore prosperity to her community. Along the way, the adventure explores courage, identity, friendship, and the connection between people and the natural world.

The live-action adaptation revisits the story that made the original animated Moana a favorite among families, while bringing its characters and island setting to life in a new format.

Who Stars in Disney’s Live-Action ‘Moana’?

The film features two central performances:

Catherine Lagaʻaia as Moana: The young wayfinder who ventures beyond the reef to help her people.

Dwayne Johnson as Maui: The demigod who joins Moana on her ocean voyage. Johnson reprises the role he voiced in the original animated film.

Johnson’s return gives the character continuity between the animated and live-action versions, while Lagaʻaia takes on the lead role in this new interpretation.

‘How Far I’ll Go’ and Other Songs Return

Music remains a major part of the Moana experience. The live-action film features familiar songs, including “How Far I’ll Go” and “I Am Moana,” alongside a new song titled “Along The Way.”

For families who enjoy singing along during movie night, the soundtrack is one of the familiar elements carried into the live-action adaptation.

The combination of recognizable music, ocean adventures, and new performances gives viewers a fresh way to revisit the story.

Why ‘Moana’ Remains a Disney Favorite

The original animated Moana has continued to attract viewers through its themes of self-discovery, family, and responsibility to one's community.

Disney says the animated film has accumulated more than 1.5 billion hours streamed globally on Disney+, making it the platform’s most-watched movie of all time, according to the announcement.

The live-action adaptation builds on that audience familiarity while offering a new visual interpretation of Moana’s journey. It also gives families who enjoyed the original another opportunity to return to Motunui and its memorable characters.

When Can You Watch Live-Action ‘Moana’ in the Philippines?

Disney’s live-action Moana begins streaming exclusively on Disney+ Philippines on October 21, 2026.

Families can watch through the Disney+ app on supported devices. For subscription information and streaming details, visit the official Disney+ website.

Whether it is your first trip beyond the reef or a return to a familiar ocean adventure, Moana is set to bring a new version of the story to family movie night this October.

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Disney+ Announces Korean Fashion Reality Show ‘Style Wars,’ Premiering November 11

Disney+ Announces Korean Fashion Reality Show ‘Style Wars,’ Premiering November 11

Seventy-two fashion enthusiasts will compete to become Korea’s next style icon in Style Wars, a new Korean reality competition series streaming exclusively on Disney+ starting November 11, 2026.

From bold streetwear to creative personal styling, Korea’s fashion scene is heading into competition mode. Disney+ has unveiled the 72 contestants of Style Wars in a newly released teaser, giving viewers a preview of the personalities and outfits set to take center stage in the upcoming series.

The contestants come from different backgrounds, including students, models, influencers, hobbyists, and retirees. They will face a series of fashion challenges designed to test their creativity, individual style, and ability to put together standout looks.

Who Will Judge the Contestants in ‘Style Wars’?

The contestants’ creations will be evaluated by a panel of personalities from fashion, entertainment, and digital media.

The judging panel includes:

• Hyeri, actress and K-pop star
• Hong Jinkyung, former supermodel
• Jung Wookjun, designer behind the juun.j fashion brand
• Choi Silzzang, YouTube personality
• Bae Jungnam, former model

Their different backgrounds bring together perspectives from celebrity culture, fashion design, modeling, and online entertainment as the competitors battle for the title of Korea’s next style icon.

When Does ‘Style Wars’ Premiere on Disney+?

Style Wars premieres exclusively on Disney+ Philippines on November 11, 2026, with its first two episodes dropping on launch day.

Two new episodes will then arrive every Wednesday, leading up to the season finale on December 9.

Here is the announced release schedule:

• November 11: Two-episode premiere
• Every Wednesday after the premiere: Two new episodes
• December 9: Season finale

The weekly format gives viewers a chance to follow the contestants as the competition progresses and see whose fashion choices stand out to the judges.

Who Is Behind the Korean Fashion Competition?

The series is produced by Kim Nahyun, Jung Jongchan, and Kim Hyein of Shijak Company, the production team associated with Netflix’s Single’s Inferno. Youn Shinhye, known for Kian’s Bizarre B&B, serves as the writer.

With contestants ranging from fashion hobbyists to industry professionals, the show brings together a mix of experience levels and personal styles in a competition built around self-expression.

More Korean Reality Shows to Watch on Disney+

Style Wars joins Disney+’s growing lineup of Korean reality and competition programs.

Viewers interested in high-stakes challenges can also check out Deadly Tag, which follows contestants trying to survive across a large battlefield, and Battle of Fates, featuring 49 fate readers competing to demonstrate their abilities.

For fashion fans, however, Style Wars offers a different kind of contest: one where personal taste, creative vision, and the ability to make an outfit work could determine who emerges as Korea’s next style icon.

The series premieres November 11, exclusively on Disney+. Visit Disney+ for subscription and viewing information.

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Ben&Ben Submits ‘Leaves (Reimagined)’ for 2027 Grammy Awards Consideration

Ben&Ben Submits ‘Leaves (Reimagined)’ for 2027 Grammy Awards Consideration

Ben&Ben is taking a step toward its Grammy dream with “Leaves (Reimagined),” submitted for consideration in the Best Pop Duo/Group Performance category at the 2027 Grammy Awards.

The Filipino folk-pop band Ben&Ben has submitted Leaves (Reimagined) for consideration at the 2027 Grammy Awards, marking a significant step toward a goal the group has long hoped to achieve.

Submitted through Sony Music Entertainment Philippines, the track is being considered in the Best Pop Duo/Group Performance category. The Recording Academy’s first-round voting period runs from October 12 to 22, 2026, with nominees scheduled to be announced on November 16. The 2027 Grammy Awards ceremony is set for February 7, 2027.

The submission does not guarantee a nomination, but it gives the band an opportunity to have its work considered by Grammy voting members.

Why ‘Leaves (Reimagined)’ Holds Special Meaning for Ben&Ben

For Ben&Ben frontman Paolo Benjamin, the song is more than a reworked version of one of the band’s well-known tracks. It reflects a personal experience with hurt, forgiveness, and the difficult decision to move forward.

Paolo shared that someone close to him had hurt him unexpectedly, leaving him to choose between forgiving that person and walking away. He chose forgiveness, and the song became a way for him to process the experience.

He also described the track as a source of comfort during some of his darkest moments, crediting his faith with helping him find strength through it.

With Leaves (Reimagined), Paolo hopes listeners will see forgiveness as an act that can bring freedom, even when choosing to forgive is painful.

He also hopes the song will encourage people to continue loving selflessly, while acknowledging that the people closest to us can sometimes cause the deepest hurt.

Ben&Ben’s Grammy Dream

The band said receiving a Grammy Award has long been one of its dreams. Ben&Ben expressed gratitude for the opportunity to take an initial step toward that goal by submitting the song for consideration.

For Filipino artists pursuing recognition on the international stage, the submission also puts a spotlight on the music coming out of the local scene. The next milestone will depend on the Recording Academy’s voting process and whether the track advances to the official nominee list.

‘Nine’ Celebrates the Band’s Journey

The Grammy submission follows the release of Nine, Ben&Ben’s album that the group describes as a love letter to its listeners and a celebration of the friendship behind the band.

The nine-track album includes reimagined songs from different stages of Ben&Ben’s musical journey, alongside newer material. Its tracklist features Leaves (Reimagined), the 2026 hit Saranggola, and the new song Harinawa.

Earlier this month, the band performed all nine tracks at its sold-out Saranggola: The Concert at the Smart Araneta Coliseum, bringing the album’s material to fans in a live setting.

As the Grammy Awards process moves forward, Leaves (Reimagined) represents both a personal story of healing and another milestone in Ben&Ben’s continuing musical journey.

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DEMI Releases ‘Sinasabi Ng Iba,’ a New R&B Song About Choosing Love

DEMI Releases ‘Sinasabi Ng Iba,’ a New R&B Song About Choosing Love

Filipino singer DEMI returns with “Sinasabi Ng Iba,” a laid-back R&B single about standing by someone you love despite what other people think.

Released worldwide through Sony Music Entertainment, the track pairs DEMI’s signature sultry sound with more mature songwriting. It explores the decision to trust your own feelings rather than allow outside opinions to dictate a relationship.

The release also marks a step in DEMI’s artistic growth. While the song retains the smooth, intimate sound associated with her earlier music, its message reflects a more thoughtful approach to love, loyalty, and personal conviction.

What Is DEMI’s ‘Sinasabi Ng Iba’ About?

“Sinasabi Ng Iba” centers on choosing a relationship even when other people question or disapprove of it. The song presents love as a personal decision, one that does not always need public approval or outside validation.

For DEMI, the single connects the sensual R&B style that listeners recognize with a more mature perspective on relationships.

“I believe it’s the perfect blend of my old era and the direction I want to take moving forward,” DEMI shares. She explains that the sound remains familiar while the writing reflects a more mature and wholesome outlook.

The song may resonate with listeners who have experienced relationship doubts or felt pressured to explain their romantic choices to others. Rather than focusing solely on longing, it emphasizes the confidence to stand by someone when outside voices become difficult to ignore.

How Did DEMI Develop the Song’s Sound?

Although DEMI wrote the lyrics in 2023, the song's musical direction took shape later. She revisited the track in 2025 and found the sound she wanted for its eventual release.

During that period, American singer-songwriter Leon Thomas was among the artists she listened to frequently. His music helped inform the atmosphere DEMI envisioned, while producer, mixing and mastering engineer, and track engineer Jianluigi “Plumberboi” Masongsong developed the arrangement with his own interpretation.

The resulting production uses a relaxed R&B approach that gives the lyrics room to breathe. Its warm, intimate atmosphere supports the song's message without overwhelming the directness of DEMI's writing.

“The writing is still the same, raw, DEMI—but more emotionally mature,” she explains.

The process also shows how a song can evolve between its initial writing and final recording. The core lyrics remained intact, but DEMI took time to find the musical treatment that best reflected her artistic direction.

Why Does ‘Sinasabi Ng Iba’ Reflect DEMI’s Growth as an Artist?

For DEMI, artistic growth means allowing her music to develop alongside her own experiences and changing outlook.

“Syempre, I grow old, I mature—so gusto ko sabay lang din yung direction ng art ko,” she says.

That approach is reflected in “Sinasabi Ng Iba,” which retains her established R&B sensibilities while exploring a more grounded view of love. Instead of abandoning the sound associated with her earlier work, she builds on it through more intentional storytelling.

The single offers a glimpse of the direction she hopes to pursue: music that remains emotionally honest while reflecting a clearer understanding of the values and perspectives she wants to communicate to listeners.

When Does DEMI’s ‘Sinasabi Ng Iba’ Lyric Visualizer Premiere?

DEMI's lyric visualizer for “Sinasabi Ng Iba” was scheduled to premiere on October 14 at 7 p.m. on her official YouTube channel.

The visual takes an unconventional approach to the song's romantic theme. Rather than simply illustrating a couple's story, it places DEMI in a setting where she explains herself to members of the media and reporters.

The concept draws a parallel between answering public questions about one's intentions and feeling compelled to justify a relationship to people outside it.

This approach reinforces the song's central idea: when it comes to love, the opinions of others do not always reflect what the people in a relationship know and feel themselves.

Where Can You Listen to ‘Sinasabi Ng Iba’?

DEMI's “Sinasabi Ng Iba” is available worldwide on digital music streaming platforms through Sony Music Entertainment.

Listeners can search for the single on their preferred streaming service and visit DEMI's official YouTube channel for the lyric visualizer.

With its smooth R&B arrangement and more mature perspective on romance, “Sinasabi Ng Iba” marks another step in DEMI's evolving sound, balancing the intimacy of her earlier music with a clearer sense of the stories she wants to tell.

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Gab Cabangon Releases ‘Learn to Love Again,’ a Debut EP About Healing and Rediscovery

Gab Cabangon Releases ‘Learn to Love Again,’ a Debut EP About Healing and Rediscovery

Filipino singer-songwriter Gab Cabangon explores burnout, heartbreak, and the courage to begin again in Learn to Love Again, his debut five-track EP released through Underdog Music.

Described by Cabangon as an “open diary,” the collection draws from his experiences navigating the music industry, balancing creative ambitions with professional demands, and rediscovering his love for songwriting and performing. Rather than presenting healing as a quick fix, the EP follows the gradual process of confronting disappointment, allowing space for rest, and reconnecting with the people and passions that matter.

The release marks a personal milestone for the Awit Award-nominated artist, who turned his frustrations about life, career, and love into a collection of songs shaped by collaboration with fellow musicians.

What Is Gab Cabangon’s ‘Learn to Love Again’ EP About?

Learn to Love Again follows five emotional stages, moving through frustration, vulnerability, rest, and rediscovery before arriving at a more hopeful understanding of love.

Cabangon began questioning his relationship with music after years of juggling live performances, behind-the-scenes work supporting other artists, and plans to release his own material. The pressure of managing these responsibilities affected his confidence and enthusiasm for his craft.

Instead of allowing those frustrations to end his creative journey, he worked with friends in the music scene to turn his experiences into songs.

“I also realized after writing everything that I just needed to show up,” Cabangon shares, reflecting on the importance of leaning on his wife, family, friends, and community during difficult periods.

The EP's message extends beyond romantic relationships. It also speaks to people who have struggled with creative burnout, career setbacks, or the feeling that they are falling behind while others move forward.

‘Love Again’ Leads the EP’s Message of Starting Over

The focus track, “Love Again,” captures the central idea behind the EP: stepping away from something meaningful does not necessarily mean losing it forever.

Cabangon wrote the song after taking a brief break from music during the pandemic. The pause gave him time to reconsider his relationship with songwriting and reconnect with the reasons he began making music.

That experience shaped the song's message about letting go, healing, and finding the motivation to return to a once-loved pursuit.

“I think it taught me to rest and to pause,” he explains. “That I didn’t have to be impatient and do music non-stop. It didn’t make me less of an artist.”

His reflection challenges the idea that constant productivity is the only measure of commitment. Sometimes, taking time away can help people understand what they want to return to and how they want to move forward.

For Cabangon, learning to love again is not a straight path. It involves accepting setbacks without losing sight of the reasons behind the journey.

What Are the Five Songs on ‘Learn to Love Again’?

Each track contributes a different perspective on disappointment, recovery, and renewed connection.

1. “Ikot Ulit”

The song confronts the anger and frustration that come with false promises, repeated disappointments, and obstacles that make progress feel difficult.

2. “Pieces”

This track embraces vulnerability, acknowledging that healing can involve grief, emotional breakdowns, and accepting help from others.

3. “Kama”

A reminder to slow down, “Kama” explores the value of rest in a culture that often places productivity above personal well-being.

4. “Love Again”

The EP's emotional centerpiece reflects on stepping away from a passion and gradually finding the courage and inspiration to return.

5. “ngayon at kailanman”

The collection closes on a hopeful note, looking toward love built on honesty, reassurance, and genuine connection.

Together, the songs present recovery as a process rather than a single turning point. The collection acknowledges frustration and uncertainty while leaving room for renewed affection, creative ambition, and personal growth.

Who Worked on Gab Cabangon’s Debut EP?

Cabangon collaborated with musicians and producers who helped develop the songs from acoustic demos into finished recordings.

David Lina handled arrangement and production, working with Cabangon through collaborative studio sessions. Shadiel Chan and Jan Fuertez of Nine Degrees North handled mixing and mastering, while Cha Martinez contributed lead guitars to “Love Again.”

For “Kama,” Cabangon worked with Gab Lazaro of Project Yass, vydd, Kyla Miel, and his wife, Geli, exploring different instrumental and vocal textures.

The collaborative process reflects the EP's broader message: creative work does not have to happen in isolation. Support from other musicians helped Cabangon shape a project rooted in personal experiences into a collection intended to connect with listeners facing their own uncertainties.

Where Can You Listen to ‘Learn to Love Again’?

Gab Cabangon's Learn to Love Again is out now through Underdog Music. Listeners can search for the five-track EP on their preferred digital music platform.

With this debut release, Cabangon offers a perspective on starting over that avoids easy answers. The songs acknowledge that disappointment, exhaustion, and uncertainty are part of life, but they do not have to mark the end of a meaningful journey.

Sometimes, moving forward begins with allowing yourself to pause, accepting support, and remembering why you started in the first place.

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Vietnamese Artists CHIVAN and MINH Perform at SONIK 2026

Vietnamese Artists CHIVAN and MINH Perform at SONIK 2026

Vietnamese artists CHIVAN and MINH performed at SONIK Philippines 2026, held September 11–12 at Green Sun in Makati, as part of efforts to strengthen music industry connections between Vietnam and the Philippines.

Their participation was supported by CisuMusiC, an international music platform that connects artists, audiences, festivals, and industry networks across different markets. The showcase gave the Vietnamese performers an opportunity to introduce their music to Filipino audiences and connect with music professionals working across the region.

SONIK Philippines 2026 brought together local and international artists, music professionals, and industry representatives for two days of discussions and live performances focused on music export, touring, international expansion, and industry networking.

What Happened at SONIK Philippines 2026?

SONIK Philippines 2026 combined industry discussions with live performances, creating opportunities for artists and music professionals to connect beyond the stage.

The first day of the showcase featured performances from Filipino acts, including SID and One Click Straight, before Itchyworms closed the day with a sing-along set.

Day 2 continued the live music program alongside conversations about how Filipino artists can develop international careers and reach audiences in other markets.

For CHIVAN and MINH, the event provided a platform to perform in the Philippines while meeting members of the local music community. Their appearance also highlighted the role of showcases in introducing artists to audiences outside their home countries.

How Is CisuMusiC Connecting Artists Across Borders?

CisuMusiC works across music festivals, live showcases, Livehouse tours, fan platforms, and media networks to connect artists and industry communities in different countries.

Its network includes connections across Vietnam, Thailand, Taiwan, South Korea, Malaysia, the United Kingdom, and other international markets.

Through these activities, the platform aims to help artists build audiences beyond their domestic markets and develop relationships with music organizations, promoters, and other industry partners.

The participation of CHIVAN and MINH at SONIK Philippines 2026 brought that approach into the Philippine music scene, using a local showcase as a point of contact between Vietnamese performers and Filipino industry professionals.

Could Filipino Artists Find More Opportunities Overseas?

The exchange could also create opportunities in the opposite direction. CisuMusiC sees potential to develop relationships with Filipino artists, festivals, music organizations, and industry partners, connecting them with opportunities in other Asian and international markets.

Cross-border showcases can help artists introduce their work to new audiences while building relationships with potential collaborators and industry contacts. These connections may support future performances, festival invitations, and other international projects, although such outcomes depend on the partnerships developed after an event.

For Filipino musicians looking to expand overseas, regional music networks can provide a starting point for exploring new markets and connecting with people who work within them.

What’s Next for Philippine-Vietnam Music Connections?

SONIK Philippines 2026 marks a point of engagement between CisuMusiC's international network and the Philippine music industry.

The participation of CHIVAN and MINH brought Vietnamese artists to a local stage, while the event's industry program created opportunities for broader conversations about international music careers.

As these relationships develop, further exchanges could give Filipino and Vietnamese artists more opportunities to perform in each other's markets and connect with audiences across Southeast Asia.

For now, the SONIK showcase highlights how music events can serve not only as performance venues but also as meeting points for artists and industry communities looking to build connections across borders.

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IV OF SPADES Releases New Single ‘Rollercoaster’

IV OF SPADES Releases New Single ‘Rollercoaster’

Filipino band IV OF SPADES is back with “Rollercoaster,” a new single that embraces life's unexpected turns through a mix of reggae rhythms, indie rock, and Manila Sound influences.

The release follows a strong awards season for the band, which won Album of the Year and Song of the Year at the 2026 Awit Awards, along with Alternative Song of the Year at the Filipino Music Awards. The track also arrives as the group continues its US and Canada tour, bringing its music to audiences overseas.

Released worldwide through Sony Music Entertainment, “Rollercoaster” is the band's second single of 2026, following the recent release of “Isang Pag-ibig.”

What Does IV OF SPADES’ ‘Rollercoaster’ Sound Like?

“Rollercoaster” takes a more carefree musical approach, combining the rhythmic feel of reggae with indie rock and elements of Manila Sound. The result is a groove-driven track that leans into psychedelic influences without losing its easygoing character.

Rather than building around a conventional pop formula, the song moves with a relaxed rhythm suited to long drives, late-night hangouts, and spontaneous get-togethers with friends.

Its central idea is about surrendering to the moment. Like an actual rollercoaster ride, life comes with unexpected twists, and the song encourages listeners to embrace the experience instead of trying to control every turn.

The combination of familiar Filipino musical influences and alternative rock sensibilities also reflects the band's willingness to explore different sounds while maintaining its distinctive musical identity.

IV OF SPADES Follows ‘Isang Pag-ibig’ With Another 2026 Release

“Rollercoaster” follows “Isang Pag-ibig,” which was released in 2026 after first appearing on the band's SoundCloud page in 2015.

According to the release announcement, the updated version of “Isang Pag-ibig” has surpassed three million combined streams across platforms and reached No. 18 on YouTube Music's Trending Music chart.

Revisiting an older track gives longtime fans another opportunity to connect with the band's earlier material, while introducing the song to listeners who may have discovered IV OF SPADES more recently.

The release of two singles in 2026 also gives fans fresh material to follow as the band continues performing internationally.

IV OF SPADES Takes Its Music Overseas

The release of “Rollercoaster” coincides with IV OF SPADES’ US and Canada tour, extending the band's activities beyond its recent achievements at home.

The timing places the new single alongside a busy period for the group, following recognition from two major Philippine music award ceremonies.

For Filipino artists touring overseas, digital releases offer a way to keep audiences connected to new music even while performances take place in different cities. Fans can stream the latest track while following the band's tour updates and upcoming appearances through its official channels.

With “Rollercoaster,” IV OF SPADES shifts the focus from award-season recognition to a new musical experience built around movement, freedom, and spontaneity.

Where Can You Listen to ‘Rollercoaster’?

IV OF SPADES’ “Rollercoaster” is now available worldwide on digital music streaming platforms through Sony Music Entertainment.

Listeners can search for IV OF SPADES – “Rollercoaster” on their preferred streaming service.

Following the success of “Isang Pag-ibig” and the band's recent award wins, the new single gives fans another track to add to their playlists as IV OF SPADES continues its 2026 musical run.

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All’s Fair Season 2 Trailer Drops Ahead of November Premiere

All’s Fair Season 2 Trailer Drops Ahead of November Premiere

Tuesday, October 13, 2026

The lawyers of Grant, Ronson & Greene are returning with more secrets, shifting alliances, and personal conflicts. Disney+ has released the official trailer and key art for All’s Fair Season 2, which premieres in the Philippines on November 4, 2026.

The new season opens with three episodes on Hulu on Disney+ Philippines, followed by weekly releases every Wednesday. The legal series, created by Ryan Murphy, brings back Kim Kardashian, Naomi Watts, Niecy Nash-Betts, Teyana Taylor, and the rest of its ensemble for another round of high-stakes drama.

What Can Fans Expect From All’s Fair Season 2?

Season 2 puts the spotlight on the lawyers' increasingly complicated relationships as new allegiances emerge and friendships face difficult tests.

A shocking revelation also threatens the future of Grant, Ronson & Greene, putting the firm's survival at risk. With professional ambitions colliding with personal loyalties, the lawyers will have more than courtroom battles to contend with.

The newly released trailer and key art offer fans a preview of the returning characters and the conflicts awaiting them in the upcoming season.

Who Stars in All’s Fair Season 2?

The returning cast features a mix of Hollywood veterans, music talent, and familiar faces from the entertainment industry.

The Season 2 lineup includes Kim Kardashian, Naomi Watts, Niecy Nash-Betts, Teyana Taylor, Matthew Noszka, Cauã Reymond, Sarah Paulson, and Glenn Close.

The series is produced by 20th Television in association with Ryan Murphy Television. Ryan Murphy leads the executive-producing team alongside Kim Kardashian, Kris Jenner, Nina Jacobson, Brad Simpson, and several other producers and cast members.

When Does All’s Fair Season 2 Premiere in the Philippines?

All’s Fair Season 2 premieres on Wednesday, November 4, 2026, on Hulu on Disney+ Philippines. The first three episodes will be available on premiere day, with subsequent episodes released weekly on Wednesdays.

For viewers planning their November watchlist, the weekly release schedule offers a chance to follow the unfolding drama one episode at a time.

How Can Viewers Watch All’s Fair on Disney+?

Philippine subscribers can watch the new season through Hulu on Disney+ Philippines. Viewers should check their Disney+ accounts for current subscription options and availability.

Disney+ also offers parental controls that allow account holders to manage access to mature content. Parents and guardians can set content restrictions and create PIN-protected profiles. Junior Mode profiles are also available for younger viewers.

These controls can help households manage what different family members can access on the platform.

With the trailer now out, fans can get an early look at the next chapter of Grant, Ronson & Greene before the series returns on November 4.

For streaming assistance, visit the Disney+ Help Center.

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Nadine Lustre Releases New Song “10YRS”

Nadine Lustre Releases New Song “10YRS”

Saturday, October 3, 2026

Nadine Lustre looks back on the last decade through “10YRS,” an introspective ballad about heartbreak, mistakes, self-discovery, and the experiences that shape a person over time.

Released on October 2, 2026, the song turns a personal reflection on the past 10 years into a message about accepting change, letting go of what no longer serves you, and moving forward without needing to have everything figured out.

“10YRS” is available on digital music platforms worldwide through Cool Girl Records.

What is Nadine Lustre’s “10YRS” about?

“10YRS” is a reflective song about looking back on a decade of personal growth and accepting both the difficult and meaningful experiences that came with it.

Rather than treating the past as something to erase, the song recognizes heartbreak, mistakes, and uncertainty as part of Nadine's journey toward understanding herself.

That perspective becomes especially clear as the song moves toward self-acceptance.

“10YRS” does not present growth as a straight or perfect process. Instead, it acknowledges that healing can involve uncertainty, setbacks, and learning to live with life's unpredictability.

The line “Dance with the chaos like I’m part of it” captures that attitude, framing chaos not simply as something to overcome but as something that can be embraced.

How does “10YRS” reflect Nadine Lustre’s musical direction?

The song takes a restrained approach to its production, allowing Nadine's vocals to remain at the center.

Nadine co-wrote “10YRS” with Rose Caroline Mamonong, while Isagani Palabyab handled the beats and instrumentation.

GD Onallices contributes violin, adding another layer to the song's understated arrangement.

The relatively sparse production suits the song's subject matter. Instead of relying on a large instrumental arrangement, “10YRS” gives space to its lyrics and vocal delivery.

The result is a ballad built around reflection rather than spectacle.

A decade becomes the song's central idea

The title “10YRS” immediately establishes the song's timeframe.

A decade can encompass major changes in relationships, careers, identity, priorities, and personal beliefs. For the song, those changes become a way of looking at how experiences accumulate and eventually shape a person's understanding of themselves.

That makes the track less about nostalgia and more about perspective.

The past remains part of the story, but it does not have to dictate what happens next.

What does Nadine Lustre want to say through “10YRS”?

At its heart, “10YRS” is about self-worth without the expectation of perfection.

The song acknowledges that becoming more comfortable with yourself does not necessarily mean having all the answers. Growth can also mean accepting the parts of life that remain unresolved.

That message gives the track a broader emotional context beyond a conventional breakup song.

Its themes of healing, identity, and moving forward can resonate with anyone reflecting on how much they have changed over the years.

“10YRS” ultimately looks backward only long enough to understand how far the journey has gone.

The next chapter is still ahead.

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Eraserheads Documentary Wins International Director Award

Eraserheads Documentary Wins International Director Award

Maria Diane Ventura, director of Eraserheads: Combo On The Run, has received the Best International Director Award at the Long Island Music & Entertainment Hall of Fame (LIMEHOF) Music Documentary Film Festival in New York.

The recognition came after the Eraserheads documentary was screened at the festival on September 27, 2026. Ventura and Eraserheads frontman Ely Buendia also took part in a special post-screening conversation with the audience.

The award adds another international distinction to Combo On The Run, which chronicles the story and legacy of one of the Philippines' most influential bands.

What is Eraserheads: Combo On The Run about?

Eraserheads: Combo On The Run is a music documentary centered on the Eraserheads and their place in Philippine music and popular culture.

The band, composed of Ely Buendia, Raimund Marasigan, Buddy Zabala, and Marcus Adoro, became one of the defining acts of the Philippine alternative music scene in the 1990s.

Their music eventually reached audiences beyond the local alternative scene, helping establish the Eraserheads as a major cultural reference point for Filipino music.

The documentary's international screenings allow that history to be presented to audiences who may be unfamiliar with the band's influence in the Philippines.

Why is the LIMEHOF award significant?

The Best International Director Award recognizes Ventura's direction at a documentary film festival associated with the Long Island Music & Entertainment Hall of Fame.

The film was screened at the festival on September 27, followed by a discussion involving Ventura and Buendia.

For a documentary built around a specifically Filipino musical and cultural story, the international setting is significant because it places the Eraserheads' history in front of audiences outside the Philippines.

Ventura said the response has been meaningful because the film is rooted in Filipino culture, music, and shared experiences.

“More than the award itself, I’m grateful that the film continues to create space for our stories and our artists on an international stage.”

She also described the continued international reception as a reminder of the potential for Filipino music and stories to reach audiences beyond the country.

How does the documentary bring Filipino music to international audiences?

Music documentaries can serve as more than artist profiles. They can also preserve the cultural circumstances surrounding a particular period in music history.

In the case of Combo On The Run, the Eraserheads provide a way to explore a significant period in Philippine popular culture through the story of the band.

The film's international screenings therefore introduce viewers to both the group and the cultural context surrounding its music.

That broader context is particularly relevant for younger audiences and international viewers who may know individual Eraserheads songs but have less familiarity with the band's place in Philippine music history.

What's next for Combo On The Run?

Produced by DVent Productions, Eraserheads: Combo On The Run has continued its journey following its theatrical run in the Philippines and subsequent international screenings.

The documentary's latest recognition comes as DVent Productions also expands its work in live entertainment.

The production company recently co-produced the Ely Buendia and Chito Miranda concert in Dubai with Live Nation and Tiana. The August 30, 2026 concert was held at the Coca-Cola Arena and drew a sold-out audience, according to the supplied release.

Together, the documentary screenings and overseas live shows point to a broader international audience for Filipino music and artists.

For Combo On The Run, the LIMEHOF recognition gives the Eraserheads' story another opportunity to reach viewers beyond the Philippines.

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RAMONA Drops New Pop-Punk Single “Manloloko”

RAMONA Drops New Pop-Punk Single “Manloloko”

RAMONA returns with “Manloloko,” a pop-punk track about heartbreak, self-worth, and finally walking away from a relationship that has become painful and unhealthy.

Following her previously released singles “Laguna” and “GAGA,” RAMONA takes a more confrontational approach with “Manloloko,” turning the frustration of being deceived into a catchy breakup anthem about choosing yourself.

Produced by Sam Marquez and Timothy Run and mastered by Emil Dela Rosa, the song combines the raw energy of ’90s alternative rock and riot grrrl with the polished immediacy of pop music.

What is RAMONA’s “Manloloko” about?

“Manloloko” is a breakup song about recognizing when a relationship repeatedly causes pain and finding the courage to leave. Its central message is that staying with someone who continually hurts or deceives you is not a requirement for proving your love.

RAMONA describes the track as a reflection on knowing your worth, learning from heartbreak, and realizing that leaving a “manloloko” can open the possibility of finding someone who will value you.

Rather than treating heartbreak solely as a loss, the song frames the end of a troubled relationship as a moment of clarity.

That idea also shapes the track’s musical direction.

A bubblegum-punk take on heartbreak

“Manloloko” draws from several strands of alternative music, particularly the rawness associated with ’90s alternative rock and riot grrrl.

It also incorporates contemporary pop sensibilities, creating a sound that sits between punk attitude and accessible pop songwriting.

The result is a bubblegum-punk approach: loud, melodic, direct, and built around a message that is easy to sing along to.

For RAMONA, the combination allows the song’s frustration to come through without losing its pop appeal.

How does the “Manloloko” music video tell the story?

The song’s theme of leaving the past behind extends into its accompanying music video, where RAMONA appears as a runaway bride.

Instead of continuing toward the future she once expected, the character walks away from the commitments and expectations surrounding her relationship.

The road ahead is uncertain, but that uncertainty becomes part of the story.

As the video progresses, RAMONA’s character embraces the freedom that comes from making her own decision rather than remaining tied to a relationship that no longer serves her.

The runaway-bride concept gives a visual form to the song’s central idea: sometimes moving forward begins with the decision to leave.

From heartbreak to self-worth

“Manloloko” follows a familiar theme in breakup music, but its perspective is less about winning someone back and more about reclaiming independence.

The song turns betrayal into a reason to reassess what a relationship should provide: respect, honesty, and a sense of being valued.

That makes the track particularly suited to the pop-punk tradition, where emotional frustration and personal independence often sit at the center of the music.

With “Laguna” and “GAGA” already part of RAMONA’s recent releases, “Manloloko” adds another chapter to the singer’s growing catalog while giving her a distinctly confrontational breakup track.

Why the song may resonate with breakup-song listeners

At its core, “Manloloko” speaks to a familiar relationship dilemma: when does holding on stop being an expression of love and become a reason to walk away?

RAMONA’s answer is straightforward. Heartbreak can be painful, but recognizing one's value can also be the beginning of moving forward.

“Manloloko” channels that realization into a pop-punk format that is catchy enough for a sing-along while retaining the bite of its subject matter.

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Ballet Manila’s Ibong Adarna takes flight anew at the Areté stage in Ateneo

Ballet Manila’s Ibong Adarna takes flight anew at the Areté stage in Ateneo

A magical story that generations of Filipinos love and know by heart is once again set to come alive in a completely different and enchanting way.

This October, Ballet Manila brings Gerardo Francisco Jr.’s Ibong Adarna back to the stage, transforming the beloved Filipino tale of an enchanted bird, royal brothers, forbidden love, and a quest for healing into a spectacle of music, movement, and dance.

One of the company’s most beloved and performed productions, Ibong Adarna will be staged at Hyundai Hall, Areté, Ateneo de Manila University in Quezon City on October 9 at 7:30 p.m. and October 10 at 5 p.m.

“Ibong Adarna is one of Ballet Manila’s most requested offsite performances. This year, it already had two shows at Jose Rizal Coliseum in Laguna, and now the production is bound to return to Areté in Ateneo before continuing its way to Iloilo,” shared Lisa Macuja Elizalde, Ballet Manila’s CEO and Artistic Director.

Ibong Adarna tells the story of a mythical bird whose magical song has the power to heal the sick. When King Fernando of the Kingdom of Berbanya falls ill with an incurable disease, his three sons — Don Pedro, Don Diego, and Don Juan — set out on a quest to find the legendary Adarna and bring it back to save their father. The prince who succeeds in capturing the bird will inherit the throne.

The Areté run will feature a new set of leads from Ballet Manila’s powerhouse lineup. Performing as Ibong Adarna is Shaira Comeros, alongside Mark Sumaylo as Don Pedro, Rafael Perez as Don Juan, and Romeo Peralta as Don Diego. The alternate cast is led by Jessica Pearl Dames as Ibong Adarna, with Juan Angelo De Leon as Don Juan, Ralp John Balagot as Don Pedro, and Sean Pelegrin as Don Diego.

Ibong Adarna is fast becoming a Filipino ballet classic. Although Ballet Manila has staged the production numerous times in various venues, each re-staging brings something new, shaped in large part by its evolving cast of dancers.

“Every time we bring Ibong Adarna to a new audience, we discover something new about the story and the characters. That is what makes it special. It remains familiar to many Filipinos, but ballet allows us to experience the story in a different way,” Macuja Elizalde said.

Staging Ibong Adarna at the Areté is part of Ballet Manila’s broader mission of bringing people to ballet and ballet to the people. By taking the production beyond the traditional theater setting and into communities or cities, the company opens more opportunities for audiences to experience live ballet and discover this art form through stories already part of Filipino culture.

For those who may have encountered the classic tale in school, books, or childhood, Ballet Manila offers an exciting way to see the story as it combines a well-loved narrative with music, movement, complex characters, and the artistry of its dancers.

Don’t miss Ibong Adarna at Hyundai Hall, Areté, Ateneo de Manila University on October 9 and 10 only. For tickets, visit Ticketworld at www.premier.ticketworld.com.ph. Keep up-to-date with Ballet Manila’s schedule of performances and celebration events by visiting www.balletmanila.com.ph.

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DAELUX Makes P-Pop Pre-Debut With ‘Like That’

DAELUX Makes P-Pop Pre-Debut With ‘Like That’

Friday, September 25, 2026

Davao-based girl group DAELUX is beginning its P-Pop journey with “Like That,” its first release since partnering with Sony Music Entertainment.

The seven-member group introduces itself through an upbeat pop track about the uncertainty that comes with liking someone and wondering whether the feeling is mutual.

Rather than treating the situation as a heavy heartbreak story, “Like That” keeps things light. Its playful lyrics and bouncy production capture the familiar experience of reading too much into small gestures, second-guessing signals, and wanting to know where a relationship might be headed.

For DAELUX, the song is also about being honest about emotions while maintaining a sense of self-worth.

“It’s okay to be vulnerable, as long as you also know your worth and what you truly deserve,” the group says.

A song about figuring out where you stand

“Like That” explores a stage of attraction that many young people can recognize: the excitement of developing feelings mixed with the uncertainty of not knowing whether to act on them.

That duality is part of what DAELUX wants to establish as part of its musical identity. The group balances a youthful and free-spirited sound with more emotional themes surrounding relationships, self-expression, and growing into oneself.

The members also approached the recording process by reconnecting with a younger, more innocent perspective on love.

“While recording, we tried to bring ourselves back to a younger and more innocent feeling, when you’re still a little unsure and inexperienced when it comes to love,” DAELUX shares.

DAELUX members contribute to the track

“Like That” was produced by Pao Lofranco, with AndreaH serving as co-writer. DAELUX also contributed ideas during the songwriting and production process, with the group and its creative team revising the track several times before arriving at its final arrangement.

The members’ individual voices were also considered in the song’s vocal arrangement. Their vocal coach, Ma’am Shelley, helped develop the harmonies and distribute the vocal parts to highlight the distinct qualities of each member.

The result is a track designed around the group's collective sound while giving each member room to contribute to its vocal character.

A P-Pop story rooted in Davao

DAELUX is made up of seven members from Davao: CK, Alice, Ara, Rhya, Slane, Zyra, and Riri.

The group’s Davao identity extends beyond its members. The creative team involved in its music and performance video also comes from the city, giving DAELUX a homegrown creative network behind its early work.

That connection is an important part of the group's introduction to the P-Pop scene. While the group is now working with Sony Music Entertainment, its artistic foundation remains closely connected to the Davao community where it began.

For DAELUX, its partnership with Sony Music Philippines represents an opportunity to develop its music while reaching listeners beyond its hometown.

“Being part of Sony Music is a huge opportunity for us. It gives us the chance to learn, grow, and take our music more seriously as artists,” the group says. “Working with them has also encouraged us to think bigger while still staying true to who DAELUX is.”

“Like That” marks an early step in that journey, introducing DAELUX through a song that combines youthful pop energy with a familiar question about love: what happens when you like someone and simply want to know if they feel the same way?

DAELUX’s “Like That” is now available on digital music platforms worldwide through Sony Music Entertainment.

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Ben&Ben Marks Nine Years With New Album ‘Nine’

Ben&Ben Marks Nine Years With New Album ‘Nine’

Ben&Ben celebrates nine years as a band with Nine, a nine-track anthology that revisits some of the group's defining songs while introducing a new track, “Harinawa.”

The album looks back at the band's musical journey without treating its earlier work as finished chapters. Instead, Ben&Ben re-recorded and reworked selected songs from its catalog to reflect how its members have developed as musicians and performers since the band's formation.

For the group and its fanbase, known as Liwanag, Nine connects the band's early years with its present sound while pointing toward what comes next.

What is Ben&Ben’s ‘Nine’ album?

Nine is a nine-track anthology built around songs that represent different points in Ben&Ben's nine-year journey.

Rather than simply compiling previously released recordings, the band revisited the material and changed elements of the arrangements, instrumentation and production.

The approach allowed the members to record familiar songs from their perspective in 2026, after years of performing them on stage and developing together as a nine-piece group.

Lead vocalist and acoustic guitarist Paolo Benjamin described the process as allowing the songs to “grow up” with the band.

The reworked recordings retain the emotional character associated with Ben&Ben while reflecting the musicians' experiences since the original songs were created.

Why did Ben&Ben reimagine its earlier songs?

The members approached the project as an opportunity to revisit music that had accompanied significant stages of their career.

The band's nine years included extensive live performances, collaborations and experiences with listeners that changed how the musicians understood their own material.

For Nine, those experiences became part of the production process.

Lead guitarist and backing vocalist Poch Barretto said the band drew inspiration from its years of performing, including experiences on stage and with Liwanag. The group also wanted to bring the chemistry of its live performances into the studio.

That meant balancing the spontaneity and energy of a concert with the detail possible in a studio recording.

The result is intended to sound familiar without simply reproducing the original recordings.

Which Ben&Ben song is featured as the album’s focus track?

The album's focus track is “Maybe the Night (Reimagined)”, a song with particular significance in Ben&Ben's history.

The original “Maybe the Night” was the first song the nine members worked on collectively from beginning to end. The band arranged the song during a session in Jam Villanueva's attic in 2017.

The reimagined version brings that early composition into the band's current musical perspective.

Bassist Agnes Reoma recalled the song's importance to the group's early journey, including performances and opportunities that followed its release.

Nearly a decade later, the track provides a direct connection between the band's beginnings and the musicians they have become.

What is new about ‘Harinawa’?

While much of Nine looks backward, the album ends with something entirely new.

“Harinawa” was written and completed in 2026, making it the anthology's forward-looking piece.

The song provides a transition between the band's retrospective material and its next chapter. Rather than ending solely with a look at the past, Ben&Ben uses the new song to leave the album open-ended.

That structure gives Nine two distinct functions: it revisits the music that established the band while introducing listeners to where its songwriting is heading next.

Who worked on Ben&Ben’s ‘Nine’?

The album brought together musicians and collaborators who have been part of Ben&Ben's creative history.

JP Verona, who has worked with the group since its first album, contributed his familiarity with the band's established sound.

Producer Ziv brought another perspective to the project, while Poch Barretto led the album's overall production.

The recordings also include Luke and Eo on drums for songs recorded during Jam Villanueva's recovery from an injury.

The album's visual identity was developed by photographer and visual artist Sara Erasmo, whose work for the project reflects its themes of memory and the band's journey.

What does ‘Nine’ mean for Ben&Ben?

For a band that has spent nearly a decade recording and performing together, Nine functions as both an archive and a creative reset.

The album allows Ben&Ben to revisit songs that helped establish its identity while acknowledging that the musicians who originally created them have changed.

It also gives longtime Liwanag members another way to hear familiar songs, while providing newer listeners with an introduction to some of the band's catalog.

Percussionist and backing vocalist Toni Muñoz said the group hopes the nine songs can accompany listeners wherever they are in their lives.

With “Harinawa” closing the collection, Nine ultimately looks in two directions: toward the experiences that shaped Ben&Ben and toward the music that may follow.

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The Kid LAROI Releases ‘GET EVEN’ With GIVĒON

The Kid LAROI Releases ‘GET EVEN’ With GIVĒON

The Kid LAROI has released “GET EVEN,” a new single featuring R&B singer GIVĒON, following the recent release of his track “SLEEP.”

The collaboration marks the first time LAROI and GIVĒON have worked together on a song. “GET EVEN” arrives with a music video directed by Ayodeji, who also directed the visual for LAROI’s “SLEEP,” released in August.

The new release comes as LAROI prepares to begin the UK and European leg of his A PERFECT WORLD tour later this year.

Who is featured on The Kid LAROI’s ‘GET EVEN’?

“GET EVEN” brings together LAROI and GIVĒON for their first recorded collaboration.

LAROI, the Australian singer and rapper behind hits including “Stay” with Justin Bieber and “Without You,” has continued releasing music following his 2023 album THE FIRST TIME.

GIVĒON is known for his distinctive R&B vocals and collaborations with artists including Drake and Justin Bieber. His solo work includes the Grammy-nominated song “Heartbreak Anniversary.”

The pairing brings LAROI’s pop and hip-hop background together with GIVĒON’s R&B style.

Who directed the ‘GET EVEN’ music video?

The music video for “GET EVEN” was directed by Ayodeji, marking the director’s second visual collaboration with LAROI within a matter of weeks.

Ayodeji also directed the music video for “SLEEP,” which arrived at the end of August.

The two videos therefore form a recent visual run for LAROI as he introduces the new material.

Why are ‘GET EVEN’ and ‘SLEEP’ connected to LAROI’s earlier work?

Both “GET EVEN” and “SLEEP” originated from an earlier album project created by LAROI before BEFORE I FORGET.

That project was eventually scrapped, but LAROI revisited material from the sessions and identified the two songs as tracks that he still wanted audiences to hear.

The releases offer a glimpse into music created during an earlier stage of his artistic development while becoming part of his current body of work.

When does The Kid LAROI’s A PERFECT WORLD tour begin?

The Kid LAROI will begin the UK and European leg of his A PERFECT WORLD tour on October 27 in Birmingham, England.

The tour is scheduled to conclude on November 17 in the Czech Republic.

The European dates follow the release of “GET EVEN” and give fans an opportunity to hear LAROI perform material from his current era alongside his previous releases.

The Kid LAROI UK and European tour

October 27: Birmingham

November 17: Czech Republic

Additional dates are scheduled between the opening and closing shows.

Fans should check LAROI’s official channels and ticketing partners for the complete tour schedule, venues and ticket information.

Listen to ‘GET EVEN’

“GET EVEN” is now available alongside its Ayodeji-directed music video.

The collaboration adds another chapter to LAROI’s current run of releases while introducing a new creative partnership with GIVĒON.

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